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If I can introduce someone to something new, as is constantly happening to me, then I am elated.
Harry Patch didn't get enough recognition. Jerry Garcia got too much.
I mean, I would hope that I have a style or personality that is evident wherever I go.
It's too hard for me to comment on the sorry state of our culture.
I think it was more personal, but I certainly tried to adapt certain concepts of Surrealism.
NYC is chaotic. And I am attracted to chaos.
I take all of my music seriously and personally.
I love playing in Fantomas, which is very strict in terms of composition.
I need to broaden my horizons.
Well, I've never been to Japan so I couldn't say. I do know that we have a bit of a following there however.
I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.
I'm comfortable, but not satisfied and I hope to always feel that way.
I remember when metal was something you really had to search out, and now I hear it on car commercials.
Music is a very personal and emotional form of communication.
Bungle is definitely a priority right now.
I've experienced as much fame as I ever want to.
There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.
Mullets are still going strong in the south and places like St Louis or the Carolinas.
If you want music that speaks to you, that LISTENS to you, you have to go out of your way, which I enjoy actually. I'm constantly on a private-eye kick to find the totally obscure.
Now I am obsessed with collecting Platypus paraphernalia.
The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.
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