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Trying to balance theatre and film is really important to me.

My parents would always take me to the theatre, and I was bored a lot of the time. Loads of Shakespeare, and I didn't know what the hell was going on. And then, when I was 13, we went to see 'The Cherry Orchard,' and it changed everything for me.

I did The 'Acid Test' at the Royal Court, by Anya Reiss, who's the most wonderful, amazing female writer. She was only 19 when she wrote it. She wrote it about three girls in a flat on a Friday night, and that was magic because it was so rare to have three girls in your age group in a play. It just doesn't happen.

I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.

The thing I really know is that I'm not a model. I'm an actress.

It's quite rare that you find something that you can quite literally have an absolute ball doing, as well as the tough stuff and the difficult stuff and the pain.

I went to a very academic school, but I never really quite... I think because not that many people were particular creative or arty, I felt a little bit different.

I don't have a lot of instinctive fashion style myself.

Growing up, the image I had of Princess Margaret was completely different. I knew that she was a slightly tragic figure, but I didn't know why. Now, I love her with my all my heart. She was such an amazing person, and getting to 'know' her better was an honor.

I became completely obsessed with the Royal family, or at least the psychology behind them.

My dad is a big extrovert - he's a doctor - but he always loved Shakespeare, and he took us to tons of theater.

I did apply for drama school when I was 17, and I didn't get in; I had a really bad audition.

Before filming 'The Crown,' I couldn't care less about the royal family. But now... I'm obsessed.

I feel people naturally have a brightness. When that is extinguished by circumstances - be it a wrong marriage or a situation that you cannot leave psychologically - there's something about that dying spark that I'm drawn to playing.

I've always been pretty indifferent towards the royal family. I went on a school trip once to Buckingham Palace, and all I can remember is that it was really boring.

I've been told that I have no filter.

My characters are always unlucky in love. It's annoying, but perhaps there is something in me that is suited to characters that have a darkness. Maybe it's why I play such damaged people when I'm not particularly damaged myself, I would say.

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