Explore Quotes by William T. Vollmann

The instant people specialize, it's in their interest to dehumanize the people their specialized function operates upon.

The first chance I had to go to Japan, which was in the early nineties, I went to a Noh play. I thought, 'This is very, very slow.' I noticed lots of people falling asleep. I didn't really know what was going on; I was getting a little sleepy myself. Then the more I studied it, the more fascinated I got.

I think that we're all, as human beings, so limited. If we want to write about ourselves, that's fairly easy. And if we write about our friends or our families, we can do that. But if we want to project ourselves somewhere beyond our personal experience, we're going to fail unless we get that experience or we borrow it from others.

I go through all of my old notebooks, and I put an X on every page when everything has been entered into the computer, and sometimes that takes 15 years. But eventually the notebooks are full of X's, and they're no good to me anymore.

Really what it gets down to is that my idea of the American life, the American dream, whatever, is that I can do what I wish in the privacy of my own home. And as long as I'm not hurting anyone, no one has a right to know what I do. The main thing that I have to hide is that I don't have anything to hide.

After college, I went to San Francisco and worked as a secretary in a reinsurance company. That was a pretty dismal job. It was a real small place. Guys would come in, and they'd sort of stick out their arms like wings so I could take their coats off. They'd tell me, 'Two,' and I'd put two lumps of sugar in their coffee.

When I go train hopping and I look up into the sky, there are always so many more stars than I remember there were.

I don't subscribe to organised religion. I've travelled enough to see that adherents of organised religion often attack adherents of other religions.

There's an Inuit myth about the origin of the human race. There were two brothers, and the younger brother eventually gets changed into a woman. And that's how humans reproduced. And I thought, 'How could I really understand that?'

The case of Afghanistan vs. the Soviet Union is the clearest case of good against evil that I've seen in my lifetime. I thought it was terrific the way they got their country back.

As I get older, I find myself getting angrier and angrier. Doubtless, change itself, not to mention physical decline and inevitable petty tragedies of disappointed expectations, would have made for resentment in any event; but I used to be a passive schoolboy, my negative impulses turned obediently inward.

I don't believe in a personal god. It's good to give thanks, whether or not there's a god. There's no reason not to live life to the fullest. Morality is all the more important for people who don't expect to get a piece of celestial candy after they die.

I'm still a marginal figure living from book to book, but, as long as I'm producing labour as a good Marxist prole, I guess I'm satisfied.

Everybody is an expert on one thing - that's what I learned in my high school journalism class - and that's, of course, his own life. And everybody deserves to live and have his story told. And if it doesn't seem like an interesting story, then that's the failure of the listener, or the journalist who retells it badly.

I first got really interested in Noh in about 1977. There was an independent bookstore in Bloomington, Indiana where I was going to high school. It was a really nice place. There was a New Directions paperback. It was the Pound/Fenollosa book, 'The Classic Noh Theatre of Japan.'

At least for me, it takes more knowledge to write fiction than nonfiction. At least about someplace that I begin with a lot of ignorance about.

I think most of us who live into our 50s have had a few experiences with death. You know, we see people we know start to die. We realize it's getting closer and closer for us.

Everybody is probably guilty of something. I'm sure that if anyone looked into my heart long enough, they could say, you know, 'Bill had some unkind thoughts back in second grade.'

Once you've finished typing and moving text around and everything else, you have to leave it alone for a while. You do that to see if it stands up, to see if all the loose edges have been trimmed, if it makes sense, if it's consistent, what shape it really has. You can't tell that while you're working on it.

A common measure of poverty is how much money you have in relation to other people - that is useful as far as it goes, but that excludes the case of, say, a hunter in the rainforest who has no money but is not poor. And there can be a number of people with money but who can consider themselves unwanted or invisible or estranged from society.

I might enjoy writing some ghost stories set in Japan because their whole idea about the spirit world is so interesting.