Explore Quotes by Winona Ryder

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I think I really scored with my parents. All of my friends pretty much came from broken homes, and my parents are still together, but not only that, they're still in love and still write together.

I'm so sick of people shaming women for being sensitive or vulnerable. It's so bizarre to me... I do have those qualities, and I just don't think there's anything wrong with them.

Scorsese would talk to me about this movie 'The Heiress' with Olivia de Havilland. We were talking about this scene in it, and suddenly we were rolling. It was very intentional, and I didn't realize - because we talk old movies all the time.

What you wear - and it always starts with your shoes - determines what kind of character you are. A woman who wears high heels carries herself very different to a girl who wears sneakers or sandals. It really helps determine how you carry yourself.

One of my worst fears is being a self-indulgent person.

I was unusual looking - I didn't have the look of that time. If you look at 'Lucas' - and, basically, my first five or six movies - the characters are not described in the scripts as attractive people.

As a teenager, I worked on Indian reservations, and it was such an incredible culture: the elders are so respected.

I binge-watched this show 'Damages.' Glenn Close and Rose Byrne are so good. Lily Tomlin is in it. You see all these great actors, and the writing is terrific. There are a lot of shows like that.

I'm getting asked a lot, 'You don't have kids, so how do you know how to act like a mother?' I know nothing could compare, and I haven't had that experience, but when my niece was born, I felt like I would jump in front of a car and die for this little person I didn't even know yet.

I would have to say 'The Crucible' stands out because it was one of the best experiences I've ever had, but, you know, Arthur Miller being present on the set - which was wonderful and incredible - but, to have him in your eye line is quite intimidating. It's such a beautiful language he created, so that was challenging but exciting.

I've been embracing aging. I always have, since I was a kid. When you're the kid on the set for so long, you just, like, daydream about being older.

My parents are awesome, but they're pretty left-wing.

I wanted to be just a normal girl flirting with a normal guy. It's like, you meet people, and they know this stuff about you. It's why you want to meet somebody who's in the same business, only because they understand more. But you don't necessarily want to be with another actor.

I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.

People don't realise how much tension they hold in their forearms.

I loved movies, but I can't remember ever really wanting to be an actress, and I certainly didn't imagine ever being in a movie. I think I wanted to be a writer.

I was watching TV, and there was this oldies-but-goodies film fest, and 'Lucas' came on. I was like, 'Oh my God, I'm an oldie!'

Even though 'Heathers' didn't make a lot of money, I really was able to transition into a situation where people thought I could play an attractive role because of it.

When I'm acting well, it's the most exhilarating experience. When I'm bad, it's miserable.

It's interesting because, even with 'Beetlejuice,' I was an awkward kid. I started at puberty and went through it on film. Lydia was one of my favorite roles because I related to her a lot.

I remember when I was about 18, Sean Penn made a bet with me. He had just directed his first movie, and he's like, 'By the time you're 30, I will bet you $500 that you'll be sick of acting.' I'm still waiting to collect, because I'm not.

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