It's cool because here everybody has the same goal. We're all competing for our countries. We're all coming down here to do our best. And we all are the best athletes in our own countries.
Michelle CarterRead
You have 15-20 years of work for that one throw, that one moment. And I was like, 'Okay, Lord, this is it - you told me I had the victory. So this is the time to show me'. And I'm going to give it all I have because this is my last throw in the Olympics.
Interpretation
This quote emphasizes the importance of preparation and determination in achieving success during critical moments.
Michelle Carter’s quote reflects the culmination of years of hard work and dedication leading up to a significant moment, such as an Olympic event. It conveys a sense of urgency and commitment, illustrating how one must harness their efforts and belief in themselves when faced with pivotal opportunities, knowing that such moments can define their legacy and impact.
In practice
In a motivational speech to young athletes during a training camp.
It's cool because here everybody has the same goal. We're all competing for our countries. We're all coming down here to do our best. And we all are the best athletes in our own countries.
Black Girl Magic means that I have the power to overcome anything. Especially when we're in a world where you're told that you can't do something or you're less than, I'm reminded that my ancestors have overcome so much. There's still so much work to be done, and I have the power to overcome it.
Always be on the lookout for ways to nurture your dream.
We have our hands, we have our brains, we have the challenge all around us, and we have within (from whatever source) the will to strive. That is enough; there is no need to assert 'belief' in that which we do not, as yet, know.
I realized, if I don't step into the spotlight, and the person next to me doesn't step in, and the people around me don't step in, then who will?
I look at myself like a show dog. I've got to keep her clipped and trimmed and in good shape.
On the Bowery, in the ornate carcass of a formerly grand vaudeville theater, a dance marathon limps along. The contestants, young girls and their fellas, hold one another up, determined to make their mark, to bite back at the dreams sold to them in newspaper advertisements and on the radio. They have sores on their feet but stars in their eyes.
I remember as a kid watching one of the Olympic games, and I was cheering for a big track athlete. He was the favorite to win, and he lost. I realized in that moment the pain he felt was so much greater than the pain that those who never thought they were going to win would have felt had they lost.
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