What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.
Interpretation
The quote emphasizes that art is about expressing aesthetic principles rather than merely imitating reality.
Hans Hofmann's quote highlights the essence of abstract art, suggesting that it focuses on conveying aesthetic principles rather than depicting the physical world. In contemporary times, there is an increased recognition of the importance of these pure aesthetic considerations, indicating a shift in how we perceive and value art. Hofmann asserts that true art transcends direct imitation, suggesting that its purpose lies in the expression of beauty and concept rather than representation.
In practice
During an art lecture, I referenced Hofmann's quote to illustrate the principles of abstract expressionism.
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
In nature, light creates the color. In the picture, color creates the light.
The ability to simplify means to eliminate the unnecessary so that the necessary may speak.
The whole world, as we experience it visually, comes to us through the mystic realm of color.
Colors must fit together as pieces in a puzzle or cogs in a wheel.
A work of art is a world in itself reflecting senses and emotions of the artist's world.
Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
The thing that influenced me most was the way Tommy played his trombone. It was my idea to make my voice work in the same way as a trombone or violin-not sounding like them, but "playing" the voice like those instrumentalists.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
Every story I create, creates me. I write to create myself.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
What I'm trying to do is just sing what comes to my body in the context of the song. And if you go by the emotion of the song, it's almost like stepping into a city. Cities have certain customs and rules and laws you can break, and that's what I was doing.
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