Accentuated plainness and accentuated vice ought to bring about harmony. Beauty lies in harmony, in style, whether it be the harmony of ugliness or beauty, vice or virtue.
Interpretation
Beauty is found in the balance of contrasting elements, such as good and bad.
This quote by Yevgeny Zamyatin suggests that true beauty comes from harmony, which can exist between opposites. The interplay of plainness and vice, as well as virtue and beauty, creates a harmonious whole, emphasizing that artistic expression involves embracing both sides of the spectrum to reveal a deeper aesthetic appeal.
In practice
In a gallery opening, this quote can be showcased to emphasize the dual nature of art in representing both beauty and flaws.
The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.
The world is kept alive only by heretics: the heretic Christ, the heretic Copernicus, the heretic Tolstoy. Our symbol of faith is heresy...
The lilac branches are bowed under the weight of the flowers: blooming is hard, and the most important thing is - to bloom. (βA Story About The Most Important Thingβ)
A man is like a novel: until the very last page you don't know how it will end. Otherwise it wouldn't be worth reading.
Knowledge, absolutely sure of its infallibility, is faith.
You're in a bad way! Apparently, you have developed a soul.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
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