But I'm kind of comfortable with getting older because it's better than the other option, which is being dead. So I'll take getting older.
George ClooneyRead
An acting career usually has about a shelf life of ten years before people get sick of seeing you. It's a good thing to have a job to fall back on and I really do enjoy directing.
Interpretation
An acting career is often short-lived, making it important to have alternative skills or professions.
George Clooney's quote reflects the transient nature of an acting career, which he suggests typically lasts around a decade before public interest wanes. He emphasizes the value of having a fallback profession, such as directing, which he enjoys, implying that diversifying one's skills is essential for long-term success in the entertainment industry.
In practice
During a lecture on career planning, one might use this quote to illustrate the importance of having multiple skills.
But I'm kind of comfortable with getting older because it's better than the other option, which is being dead. So I'll take getting older.
You never really learn much from hearing yourself talk.
My biggest fear is doing the same things 10 years from now. That would be a failure. It's something you have to constantly reassess, and asking yourself what you are going to do next makes it a good, long full journey.
I had my Aunt Rosie, who was famous and then not, so I got a lesson in fame early on. And I understood how little it has to do with you. And also how you could use it.
I've been my most happy and my most unhappy in relationships. I have family and friends and people I care very much about. I've got a really, really, really good life.
It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
An artist's concern is to capture beauty wherever he finds it.
Even after I became involved in theater and involved in TV and film, I had this sort of idea that Hollywood was off limits. There was something about L.A., the mystique of it and fear of it.
Writing a novel is not so much a project as a journey, a voyage, an adventure.
If you sing of beauty though alone in the heart of the desert you will have an audience.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
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