Really good books need a chaos element: something weird or inexplicable.
Michel FaberRead
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
Interpretation
Acting is about connection with fellow performers and the audience, while clowning focuses on individual interaction within that shared space.
In this quote, Bill Irwin emphasizes the importance of relational dynamics in performance art, particularly in acting. He suggests that effective acting relies on a connection with other actors and the audience, acknowledging the collective energy in the room, whereas clowning represents a more personal, immediate interaction, highlighting the nuanced differences in how performers engage with their environment and spectators.
In practice
This quote can be used in an acting workshop to illustrate the importance of ensemble work.
Really good books need a chaos element: something weird or inexplicable.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
The challenge is to keep up with all the new poets at the same time I love the old ones.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
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