So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
Ralph FiennesRead
As an actor, there's a bit of you that's decided you want to be looked at and watched, but there's a paradoxical bit that wants to run away.
Interpretation
The quote expresses the dual nature of an actor's desire for attention while simultaneously feeling a pull towards privacy.
Ralph Fiennes highlights the internal conflict faced by actors: on one hand, they seek the spotlight and validation from their audience, yet on the other hand, there exists a part of them that yearns for anonymity and escape. This paradox reflects the complexities of being in the public eye, where the pressure of fame often clashes with the innate human desire for personal space and solitude.
In practice
This quote could be used in a discussion about the psychological effects of fame on performers.
So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
I spent the past week here in India getting a sense of the reality of HIV and AIDS in people's lives. Fathers and mothers are dying, leaving children with no support. Stigma and discrimination is ruining the family lives. There is an urgent need for education, information, and increased awareness of HIV and AIDS. The response needs to be now. We cannot afford to become fatigued.
I don't plan a career. That doesn't work for me. I just have to go with my gut.
When you meet women, don't pretend to be anything that you're not.
Success.. is all about being able to extend love to people... not in a big, capital letter sense but in the everyday. Little by little, task by task, gesture by gesture, word by word.
Being an actor means asking people to look at you. I guess I accept that. But it's a profession in which the job is to show another world and other people. You may access it through bits of yourself, and your imagination and experience, but actually, in the end, you're not playing yourself.
When you are having fun and creating something you love, it shows in the product. So when a woman is sifting through a rack of clothes, somehow that piece of clothing that you had so much fun designing speaks to her; she responds to it and buys it. I believe you can actually transfer that energy to material things as you're creating them.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
Genres aren't closed boxes. Stuff flows back and forth across the borders all the time.
The regrets in the theatre have always been the shows that you know ought to have worked but for one reason or another haven't.
Film in the 20th century, it's the American art form, like jazz.
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