I've had no contact with my daughter for years. That's her choice. Anyway, you move on. If people don't want to bother with me, fine. You know, God bless them, and move on.
Anthony HopkinsRead
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
Interpretation
Hopkins admires actors who authentically embody their characters without seeming to perform.
In this quote, Anthony Hopkins reflects on the natural talent of classic actors such as Humphrey Bogart, emphasizing their ability to portray characters with genuine authenticity instead of overtly acting. He suggests that the magic of their performances lies in their seamless integration into the roles they played, which allowed the characters to resonate profoundly with audiences.
In practice
During a film discussion, to emphasize the importance of authenticity in acting.
I've had no contact with my daughter for years. That's her choice. Anyway, you move on. If people don't want to bother with me, fine. You know, God bless them, and move on.
I was hell bent on destruction... it was like being possessed by a demon.
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
I always had a knack for improvisation. I can write down the notes I play, but never really had a proper academic musical background. I suppose I'm blessed and cursed by the fact I have that freedom.
At my age, any day above ground and vertical is a good day.
I was bullied as a boy - lots of kids are, but hopefully most of us get on with our lives and grow up.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
I was always trying - I never wanted to let my fans down; I always wanted them to see me in my art form.
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
My paintings are not about what is seen. They are about what is known forever in the mind.
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