A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
Mike NicholsRead
I love to take actors to a place where they open a vein. That’s the job. The key is that I make it safe for them to open the vein.
Interpretation
The quote emphasizes the importance of creating a safe environment for creative expression in acting.
Mike Nichols highlights the role of a director or artist in facilitating deep emotional expression in actors. By using the metaphor of 'opening a vein', he conveys the idea that true artistry involves vulnerability, and it is crucial for the director to ensure that this process occurs in a safe and supportive atmosphere, thereby fostering genuine performances.
In practice
During a theater workshop, a director could quote this to encourage actors to connect with their emotions.
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
There’s nothing better than discovering, to your own astonishment, what you’re meant to do. It’s like falling in love.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
I think of guitar players in terms of doctors: you have the doctor for your heart, the cardiologist, then one that works on your feet, your leg. But I believe George Benson is the one that plays all over. To me, he would be the M.D. of them all.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
The default mode of modern writing about art is to despise any notion of singularity as so much overheated genius-fetishism.
I write in a noisy, distracting world so the books can be read there.
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
Subscribe for the occasional hand-picked quote. No noise.