Since everything is in our heads, we had better not lose them.
Coco ChanelRead
Adornment, what a science! Beauty, what a weapon! Modesty, what elegance!
Interpretation
Coco Chanel expresses that beauty and adornment are profound forms of expression and power.
In this quote, Coco Chanel highlights the significant role of adornment and beauty in society, suggesting that they serve both as an art form and a means of empowerment. She implies that modesty is also an essential component of elegance, indicating that true beauty lies not just in appearance, but in how one carries oneself with grace and dignity.
In practice
This quote is perfect for an art gallery opening to describe the impact of beauty in art.
Since everything is in our heads, we had better not lose them.
Hard times arouse an instinctive desire for authenticity.
Success is often achieved by those who don't know that failure is inevitable.
You can be gorgeous at thirty, charming at forty, and irresistible for the rest of your life.
Elegance does not consist in putting on a new dress.
Look for the woman in the dress. If there is no woman, there is no dress.
When done right, music should breathe, be alive. It's not about getting it perfect, it's about capturing lightning in a bottle.
I was a product of Andy Warhol's Factory. All I did was sit there and observe these incredibly talented and creative people who were continually making art, and it was impossible not to be affected by that.
Monet's garden must be included with his works, because he combined the magic of an adaptation of nature with the work of a painter of light. An extension of the studio into the openair, with color tones lavishly spread out on all sides to exercise the eye with seductive vibrations, from which a feverishly aroused retina expects unquenchable joy.
I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.
On Creating β What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
A lot of photographers walk around looking for something 'out there,' but I'm very much interested in what's 'in here.'
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