I can't be alone among fiction writers in regarding the world, so much weirder than anything we could make up, as beating us at our own game or in racking my brains over what could possibly constitute a contribution when novels pale before the newspaper.
Interpretation
Reality often surpasses fiction, challenging writers to find significance in their fictional creations.
In this quote, Lionel Shriver expresses a sense of awe and humility regarding the complexities of the real world compared to the narratives that writers create. She suggests that reality's intricacies can render fictional stories pale in comparison, leading to a struggle for writers to find their place and contribution in a world filled with unpredictable and sometimes bizarre real-life events that fiction cannot adequately embody or explain.
In practice
During a writer's workshop, discussing this quote can inspire participants to tap into real-life experiences for their narratives.
Yet if there's no reason to live without a child, how could there be with one? To answer one life with a successive life is simply to transfer the onus of purpose to the next generation; the displacements amounts to a cowardly and potentially infinite delay. Your children's answer, presumably, will be to procreate as well, and in doing so to distract themselves, to foist their own aimlessness onto their offspring.
For pity's sake, if you don't take a shine to a novel, there are loads more in the world; read something else. Continue suffering, and it's not the author's fault. It's yours.
In my country, we're sufficiently consumed by the concept of happiness that the right to its pursuit is enshrined in the Declaration of Independence. But what is happiness?
You were always uncomfortable with the rhetoric of emotion, which is quite a different matter from discomfort with emotion itself.
In the big picture I write for an audience of people I've never met. By the final draft I'm looking for anything in the prose that's prospectively boring to strangers.
Not that happiness is dull. Only that it doesn't tell well. And of our consuming diversions as we age is to recite, not only to others but to ourselves, our own story.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
I wear anything of culture, from the Earth or beyond. The whole planet is my shop.
Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision.
Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
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