At sixteen I get drafted. When I read the draft notice, I cry. Not because I'm a coward - I'm not afraid of anyone. But I don't want to kill or be killed.
Klaus KinskiRead
I didn't want to be alone, but I had to learn that the dimensions of my feelings are too violent. I had to learn this.
Interpretation
The quote expresses a struggle with loneliness and deep feelings that can overwhelm a person.
Klaus Kinski's quote reflects the profound complexity of human emotions, where the need for connection clashes with the realization that one's intense feelings may lead to isolation. It speaks to the inner turmoil of recognizing that while companionship is desired, the depth of one's emotions can make it difficult to maintain relationships, illustrating a journey of self-discovery and acceptance.
In practice
In a discussion about emotional health, this quote could highlight the importance of understanding one's feelings.
At sixteen I get drafted. When I read the draft notice, I cry. Not because I'm a coward - I'm not afraid of anyone. But I don't want to kill or be killed.
He formed his sentences hesitantly and then threw them at me with such force that I felt as if I were receiving a present each time
He was well aware that of the two of three thousand times he had made love (how many times had he made love in his life?) only two or three were really essential and unforgettable. The rest were mere echoes, imitations, repetitions, or reminiscences.
Hazel has to realize that her mom was wrong when she said, βI wonβt be a mother anymore.β The truth is, after Hazel dies (assuming she dies), her mom will still be her mom, just as my grandmother is still my grandmother even though she has died. As long as either person is still alive, that relationship survives. (It changes, but it survives.)
Why are we so obsessed with monogamous fidelity?
Most people who meet my wife quickly conclude that she is remarkable. They are right about this. She is smart, funny and thoroughly charming... Often, after hearing her speak at some function or working with her on a project, people will approach me and say something to the effect of "You know, I think the world of you, Barack, but your wife... wow!"
What editors are obliged to appear to say that men want from women is actually what their advertisers want from women.
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