People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
You don't always have to show art in what's called a white box; you can have a kind of complexity within an exhibit which actually respects the art as well.
Interpretation
What this quote means
Art can be displayed in various environments, not just traditional settings, allowing for more complexity and respect for the artwork.
This quote emphasizes that art should not be confined to standard exhibition spaces, often referred to as 'white boxes'. Instead, the context in which art is shown can enhance its meaning and presence, offering a multi-dimensional experience that honors the artistry involved. Zaha Hadid advocates for a more complex integration of art within its environment, allowing for creative expression that goes beyond conventional norms.
Themes
In practice
Example use cases
In a discussion about art installation, you might reference this quote to illustrate innovative exhibition ideas.
More from Zaha Hadid
All quotes βI don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
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I miss horribly those couple of hours before the performance when you get into the theater and you see people.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
I'm gonna keep making music that hopefully I think is good, and whatever comes out of that, that will be fine with me.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
As a creative person, you just put something out into the consciousness of the society you live in.