I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.
Barbra StreisandRead
It always gave me the creeps when I saw performers who desperately wanted the audience to like them. That's not what I'm about.
Interpretation
The quote highlights the discomfort of seeing performers seek approval at the expense of their authenticity.
Barbra Streisand expresses her discomfort with performers who seem overly eager for audience approval. She suggests that true artistry lies in authenticity and staying true to oneself rather than altering one's performance to gain favor. This embodies a philosophy where personal integrity and individuality are prioritized over external validation.
In practice
This quote can be used during a speech about the importance of staying true to oneself in the creative industries.
I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.
The audience is the best judge of anything. They cannot be lied to. Truth brings them closer. A moment that lags - they're gonna cough.
A man who graduated high in his class at Yale Law School and made partnership in a top law firm would be celebrated. A man who invested wisely would be admired, but a woman who accomplishes this is treated with suspicion.
I was a personality before I became a person - I am simple, complex, generous, selfish, unattractive, beautiful, lazy and driven.
He (son Jason) doesn't see me as a (gay) icon, he sees me as his mother who touches his hair too much. No, I love being an icon to anybody. Equal rights, you know?
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
I chose poetry. Actually, poetry chose me.
Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
Language upon a silvered tongue affords enchantment enough.
I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
Each flitch, each board, each plank can have only one ideal use. The woodworker, applying a thousand skills, must find that ideal use and then shape the wood to realize its true potential.
I merely took the energy it takes to pout and wrote some blues.
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