I just do my work, and I work every day, and my ambition is just to do something better than I last did.
Patti SmithRead
I always wrote. I wrote every day. I don't think I could have written 'Just Kids' had I not spent all of the '80s developing my craft as a writer.
Interpretation
Consistent practice in writing is essential for honing oneβs skills as a writer.
Patti Smith emphasizes the importance of daily writing and the dedication required to develop her craft. She suggests that her continuous effort throughout the 1980s significantly contributed to her ability to write 'Just Kids', highlighting the idea that mastery in any field is achieved through persistent practice and commitment.
In practice
This quote is perfect for a writing workshop to motivate participants.
I just do my work, and I work every day, and my ambition is just to do something better than I last did.
My small torrent of words dissipated into an elaborate sense of expanding and receding. It was my entrance into the radiance of imagination. This process was especially magnified within the fevers of influenza, measles, chickenpox, and mumps. I got them all and with each I was privileged with a new level of awareness. Lying deep within myself, the symmetry of a snowflake spinning above me, intensifying through my lids, I seized a most worthy souvenir, a shard of heavenβs kaleidoscope.
For everything bad, there's a million really exciting things, whether it's someone puts out a really great book, there's a new movie, there's a new detective, the sky is unbelievably golden, or you have the best cup of coffee you ever had in your life.
Eyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.
I've always felt outside of things; I've always felt different.
No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
My dread is for my show to be a nostalgia act. So the key to it is how do we keep it fresh?
All of my knowledge, of both science and religion, I incorporate into the classical tradition of my painting.
A work of art has no importance whatever to society. It is only important to the individual.
I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
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