Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.
Interpretation
What this quote means
The quote reflects the social necessity of politeness and the pretense that often accompanies human interactions.
In this quote, J.D. Salinger captures the complexity of social interactions, emphasizing the need for individuals to mask their true feelings to maintain social harmony. The phrase 'Glad to've met you' symbolizes the polite facade people often put on, even when they feel the opposite. This can highlight the tension between authenticity and societal expectations, suggesting that surviving in society sometimes requires a level of disingenuousness.
Themes
In practice
Example use cases
During a networking event where you meet someone you don't particularly like but need to maintain a professional demeanor.
More from J. D. Salinger
All quotes →I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
Each of his phrases was rather like a little ancient island, inundated by a miniature sea of whiskey.
My brother Allie had this left-handed fielder's mitt. he was left handed. The thing that was descriptive about it though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up to bat
Who in the Bible besides Jesus knew--knew--that we're carrying the Kingdom of Heaven around with us, inside, where we're all too goddam stupid and sentimental and unimaginative to look?
You can hit my father over the head with a chair and he won't wake up, but my mother, all you have to do to my mother is cough somewhere in Siberia and she'll hear you.
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Whoever is in the distress can call me. I will come running wherever they are.
If you've ever been homesick, or felt exiled from all the things and people that once defined you, you'll know how important welcoming words and friendly smiles can be.
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
When someone says that I'm angry it's actually a compliment. I have not always been direct with my anger in my relationships, which is part of why I'd write about it in my songs because I had such fear around expressing anger as a woman.
If you haven't forgiven yourself something, how can you forgive others?
In love, for example - the so-called love - we are 'related.' We appear to be related. We create the fallacy of a relationship, but in fact we are just deceiving ourselves. The two will remain two. Howsoever near, the two will remain two. Even in sexual communion they will be two. This two-ness, this duality will never last. So a relationship is only creating a fallacious oneness. It is not there. Oneness can never exist between two selves. Oneness can only exist between two no-selves.