Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
Walter PaterRead
To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life . . . Not the fruit of experience, but experience itself, is the end . . . For art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
Interpretation
Success in life is about experiencing and cherishing moments rather than just achieving tangible results.
This quote emphasizes that true success lies in the quality of our experiences and the intensity with which we engage in life. Walter Pater suggests that art allows us to appreciate and enrich our moments, making the experience of living itself the ultimate goal, rather than merely focusing on outcomes or achievements.
In practice
This quote can be used in a speech about creativity and the importance of appreciating the art of living.
Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
Books are a refuge, a sort of cloistral refuge, from the vulgarities of the actual world.
A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
Art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass.
At first sight experience seems to bury us under a flood of external objects, pressing upon us with a sharp and importunate reality, calling us out of ourselves in a thousand forms of action.
Not the fruit of experience, but experience itself, is the end.
What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
There's always a sense of newness with acting, because every role, you come to every role fresh.
Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world.
When I make chairs, they have legs; they can go anywhere in the world. Interiors are a different responsibility. A house is a representation of where you are, and it has to be right for the place.
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