Something I always look for in an outfit is to have a standout piece.
Coco RochaRead
I always wear what I'm comfortable in. If one designer doesn't like what I'm wearing, the next one will.
Interpretation
Stay true to your personal style and comfort regardless of others' opinions.
This quote by Coco Rocha emphasizes the importance of personal comfort and authenticity in fashion. It suggests that individual style should not be dictated by others, and that there will always be someone who appreciates your unique choices.
In practice
This quote can be used in a speech about embracing personal style at a fashion event.
Something I always look for in an outfit is to have a standout piece.
My wedding dress is a piece of art that I'll treasure forever. It was designed and created by Zac Posen. I gave him only the tiniest bit of direction when he started, and the end product was more beautiful than anything I could have imagined.
Models are supposed to be a muse to you. Why is a muse always the same body type, the same look? It's boring.
Usually, a model gets two to three seasons, or a year and a half, and that's it - you're done. For me, it will be 10 years.
I think, as long as you're secure with yourself and happy with yourself, it really doesn't matter what the world around you thinks.
When I started, I knew nothing about fashion. I remember, my first day going to my agency, I was wearing these huge bell-bottoms - they were patchwork corduroy and denim, which, at the time, I thought were amazing. My agent told me, 'You have a casting with Prada - you have to burn those jeans.'
I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes - where a woman's personality and sense of style are realized.
What I've done, Coco Chanel would never have done. She would have hated it.
When you're young, you think that clothes are almost magical, and that if you wear the right thing - to school, to the prom, on the date, etc. - something's going to happen. Black, it's the anti-magical thing. It comes from the recognition that it is not going to be 'the' dress.
Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in β87 or β88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. Weβve never had that before."
Having the chance to walk at New York Fashion Week for Yeezy and Milan Fashion Week for Alberta Ferretti and Max Mara in a hijab is so significant. It sends a message to young women everywhere that you can be beautiful for just being you.
There are mothers who sew for six months to make a fashion collection - someone's grandmother, someone's sister. We come in and get paid to walk for 10 minutes at the end. Whenever I think about that, I realise it's not about me. I was just the one chosen to represent those women and sell the clothes.
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