I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
Interpretation
Sigourney Weaver appreciates acting in smaller films, valuing their uniqueness compared to larger Hollywood projects.
In this quote, Sigourney Weaver expresses her preference for smaller films, highlighting the artistic freedom and personal connection they often provide. She notes that Hollywood's focus has shifted toward appealing to a younger audience, yet she enjoys the balance of working across various types of productions, suggesting that smaller films offer unique opportunities for creativity and fulfillment in her craft.
In practice
In a film festival panel discussing the value of independent cinema, this quote could be a focus.
I've always thought that a lot of the problems in the world would be solved if a spaceship did arrive, then anyone with one head and two arms and two legs would be your brother! It wouldn't matter where they were from or what they believed or anything. It might be good for us.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
Please, God, please, don't let me be normal!
When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
Most of life is hell. It’s filed with failure and loss. People disappoint you. Dreams don’t work out. Hearts get broken. Innocent journalists die. And the best moments of life, when everything comes together, are few and fleeting. But you’ll never get to the next great moment if you don’t keep going. So that’s what I do. I keep going.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
Once you have found the right shot to introduce the scene-written your first declarative sentence-then the rest flows. You've found the key to the whole scene.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
Samurai films, like westerns, need not be familiar genre stories. They can expand to contain stories of ethical challenges and human tragedy.
In art and dream may you proceed with abandon. In life may you proceed with balance and stealth.
Life has been your art. You have set yourself to music. Your days are your sonnets.
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