I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
Interpretation
Sigourney Weaver appreciates acting in smaller films, valuing their uniqueness compared to larger Hollywood projects.
In this quote, Sigourney Weaver expresses her preference for smaller films, highlighting the artistic freedom and personal connection they often provide. She notes that Hollywood's focus has shifted toward appealing to a younger audience, yet she enjoys the balance of working across various types of productions, suggesting that smaller films offer unique opportunities for creativity and fulfillment in her craft.
In practice
In a film festival panel discussing the value of independent cinema, this quote could be a focus.
I've always thought that a lot of the problems in the world would be solved if a spaceship did arrive, then anyone with one head and two arms and two legs would be your brother! It wouldn't matter where they were from or what they believed or anything. It might be good for us.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
Please, God, please, don't let me be normal!
When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
Most of life is hell. It’s filed with failure and loss. People disappoint you. Dreams don’t work out. Hearts get broken. Innocent journalists die. And the best moments of life, when everything comes together, are few and fleeting. But you’ll never get to the next great moment if you don’t keep going. So that’s what I do. I keep going.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
Every single thing you see on-screen came out of somebody's creativity. It doesn't exist. Nature didn't deliver it to us. Everything had to be dreamed.
There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the greater the danger of losing that wellspring.
There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.
On Creating — What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
Now I really make the little idea from clay, and I hold it in my hand. I can turn it, look at it from underneath, see it from one view, hold it against the sky, imagine it any size I like, and really be in control almost like God creating something.
I want to be as though newborn. To be almost primitive.
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