America touts itself as the land of the free, but the number one freedom that you and I have is the freedom to enter into a subservient role in the workplace. Once you exercise this freedom you’ve lost all control over what you do, what is produced, and how it is produced. And in the end, the product doesn’t belong to you. The only way you can avoid bosses and jobs is if you don’t care about making a living. Which leads to the second freedom: the freedom to starve.
Interpretation
This quote critiques the illusion of freedom in the workplace, suggesting that true autonomy is compromised by employment.
Tom Morello's quote highlights the paradox of freedom in a capitalist society, specifically in the context of work. He suggests that while America promotes itself as a bastion of freedom, the reality is that employment often leads individuals into subservient roles, stripping them of autonomy over their labor and its outcomes. The 'freedom' to work can thus feel like a trap, as the choices made are influenced by the need to survive. This critique underscores the tension between personal liberty and economic necessity, implying that true freedom may come at the expense of financial security.
In practice
During a speech about economic rights, I might cite this quote to discuss the illusion of freedom in the workforce.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
The way corporate media likes to portray America is as a homogenous whole that high-five's each other at the Super Bowl. But what we have is a grotesque disparity between the rich and poor that is only getting wider.
Music and the arts feed our souls, but a decent wage puts food on the table. Musicians, fans of music, and grassroots political organizations are a potent force to fight for social justice.
Of course, music is an art form, and it's not all that competitive. But we don't ever intend to be the second-best band on a stage at any show.
Paul Ryan's love for Rage Against The Machine is amusing, because he is the embodiment of the machine that our music has been raging against for two decades
Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there.
It is difficult to be sat on all day, every day, by some other creature, without forming an opinion on them. On the other hand, it is perfectly possible to sit all day, every day, on top of another creature and not have the slightest thought about them whatsoever.
it is hard for anyone who is dissatisfied not to blame some one else, and especially the person nearest of all to him, for the ground of his dissatisfaction.
I have heard of a man lost in the woods and dying of famine and exhaustion at the foot of a tree, whose loneliness was relieved by the grotesque visions with which, owing to bodily weakness, his diseased imagination surrounded him, and which he believed to be real. So also, owing to bodily and mental health and strength, we may be continually cheered by a like but more normal and natural society, and come to know that we are never alone.
It's a very sobering feeling to be up in space and realize that one's safety factor was determined by the lowest bidder on a government contract.
But it doesn't take a thousand men to open a door, my lord." "It might to keep it open.
What were we made for? To know God. What aim should we have in life? To know God. What is the eternal life that Jesus gives? To know God. What is the best thing in life? To know God. What in humans gives God most pleasure? Knowledge of himself.
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