Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
All Americans believe that they are born fishermen. For a man to admit a distaste for fishing would be like denouncing mother-love or hating moonlight.
Interpretation
What this quote means
The quote suggests that fishing is an integral part of the American identity, akin to fundamental values like love for family and appreciation for nature.
In this quote, John Steinbeck highlights the deep cultural significance of fishing in American life. He implies that to dislike fishing is not just a personal preference but a rejection of a cherished and almost universal American ideal, similar to rejecting love for one's mother or the beauty of moonlight. This underscores the emotional and symbolic weight that fishing carries in the collective consciousness of Americans, representing a connection to nature, tradition, and shared experiences.
Themes
In practice
Example use cases
This quote can be used in a speech about American traditions to emphasize shared values.
More from John Steinbeck
All quotes βAt one point, as Samuel urges Adam to raise his boys well regardless of the blood that might be in them, Adam tells him, "You can't make a race horse of a pig." Samuel replies, "No, but you can make a very fast pig.
And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
The comfortable people in tight houses felt pity at first, and then distaste, and finally hatred for the migrant people.
People do not want advice - they want corroboration.
It is one of the triumphs of the human that he can know a thing and still not believe it.
Similar quotes
If we were faultless we should not be so much annoyed by the defects of those with whom we associate.
'1984' is not a wonder tale. Not only could it happen, but it has happened, but under different names.
Your source material is the people you know, not those you don't know, but every character is an extension of the author's own personality.
When we have emotions of fear and pity toward the hero of a tragedy, we explore aspects of our own vulnerability in a safe and pleasing setting.
When I was doing missionary work when I was younger, which started this obsession of mine with the literature of witness, I was a translator for a missionary group, and I spent years in a Tijuana dump. People were really thrown by the fact that the Mexican poor, many of them pureblood indigenous people, seemed happy.
Each memory is like a paper flower stowed up a magician's sleeve: invisible one moment and then so substantial and florid the next I cannot imagine how it stayed hidden all this time. And like those paper flowers, once they've been let loose in the world, the memories are impossible to tuck away again.