In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
Americans born since World War II have grown up in a media-saturated environment. From childhood, we have developed a sort of advertising literacy, which combines appreciation for technique with skepticism about motives. We respond to ads with at least as much rhetorical intelligence as we apply to any other form of persuasion.
Interpretation
What this quote means
The quote discusses how exposure to media and advertising has shaped the critical thinking abilities of those born post-World War II.
Virginia Postrel highlights the impact of a media-saturated environment on Americans born after World War II, suggesting that this generation has developed a unique ability to critically analyze advertisements. This 'advertising literacy' combines an understanding of the techniques used in advertising with a healthy skepticism about their underlying motives, indicating that these individuals engage with ads using the same rhetorical skills they apply to other persuasive messages.
Themes
In practice
Example use cases
In a discussion about the influence of media on consumer behavior.
More from Virginia Postrel
All quotes →Glamour doesn’t just happen, people don’t wake up in the morning glamorous.
With its fluctuating forms and needless decoration, fashion epitomizes the supposedly unproductive waste that inspired 20th-century technocrats to dream of central planning. It exists for no good reason. But that's practically a definition of art.
A world of few choices, whether in jeans or mates, is a world in which individual differences become sources of alienation, unhappiness, even self-loathing. If no jeans fit, you'll feel uncomfortable or inferior. If no housing developments reflect your taste for unique architecture, you'll write screeds against philistine mass culture.
Most of us cluster somewhere in the middle of most statistical distributions. But there are lots of bell curves, and pretty much everyone is on a tail of at least one of them. We may collect strange memorabilia or read esoteric books, hold unusual religious beliefs or wear odd-sized shoes, suffer rare diseases or enjoy obscure movies.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
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Too many of our conversations in the media hinge on conflict delivered in three-second sound bites.
I think people are smart enough to sort it out. They know when they're watching one of these food fight shows where journalists sit around and yell and scream at each other, versus serious issue reporting.
The idea of a news broadcast once was to find someone with information and broadcast it. The idea now is to find someone with ignorance and spread it around.
The British media is sinking down, as the American news media has lowered the bar for all of humanity. British news media is definitely trying to stoop down to that level. Everyone is stooping to the lowest common denominator.
When I stepped down from the evening news at the age of 65, in '81, things were still going well. Immediately after that, the whole tenor of the CBS News Department changed.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.