Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins.
Andre BretonRead
I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."
Interpretation
The quote emphasizes the absurdity and creativity in surrealism, challenging conventional perceptions.
Andre Breton's quote highlights the unique perspective of surrealism, which aims to break free from traditional representations of reality. By presenting seemingly absurd imagery, such as a horse galloping on a tomato, he encourages a more imaginative and unrestricted interpretation of art that transcends ordinary logic.
In practice
This quote can be used in an art discussion to highlight surrealist techniques.
Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins.
The mind, placed before any kind of difficulty, can find an ideal outlet in the absurd. Accommodation to the absurd readmits adults to the mysterious realm inhabited by children.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
There is no use being alive if one must work. The event from which each of us is entitled to expect the revelation of his own life’s meaning - that event which I may not yet have found, but on whose path I seek myself - is not earned by work.
Let us not mince words: the marvelous is always beautiful, anything marvelous is beautiful, in fact only the marvelous is beautiful.
The simplest act of surrealism is to walk out into the street, gun in hand, and shoot at random.
As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound.
My ex-wife was trying to be nice once, so she took me to a concert in Los Angeles. I went with her to Symphony Hall, and the orchestra was playing. When the show started, the spotlight was sharp on this one man (Andres Segovia) and he had sombrero on and his guitar propped up like this and, oh man ... he was a master ! - I really heard it. That one guitar sounded like a whole orchestra to me.
The work that lasts over time is the work which still speaks to us when all contemporary interest in that work is extinct.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
I'm a singer, not a politician, and I think you don't want the two to get confused. It's not OK to be on CNN talking about people starving and then tell the interviewer that your new album is coming out in six months.
I never even thought about whether or not they understand what I'm doing . . . the emotional reaction is all that matters as long as there's some feeling of communication, it isn't necessary that it be understood.
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