Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins.
Andre BretonRead
I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."
Interpretation
The quote emphasizes the absurdity and creativity in surrealism, challenging conventional perceptions.
Andre Breton's quote highlights the unique perspective of surrealism, which aims to break free from traditional representations of reality. By presenting seemingly absurd imagery, such as a horse galloping on a tomato, he encourages a more imaginative and unrestricted interpretation of art that transcends ordinary logic.
In practice
This quote can be used in an art discussion to highlight surrealist techniques.
Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins.
The mind, placed before any kind of difficulty, can find an ideal outlet in the absurd. Accommodation to the absurd readmits adults to the mysterious realm inhabited by children.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
There is no use being alive if one must work. The event from which each of us is entitled to expect the revelation of his own life’s meaning - that event which I may not yet have found, but on whose path I seek myself - is not earned by work.
Let us not mince words: the marvelous is always beautiful, anything marvelous is beautiful, in fact only the marvelous is beautiful.
The simplest act of surrealism is to walk out into the street, gun in hand, and shoot at random.
Singing brings out in me what I can't normally bring out in everyday life. It's an incredible feeling to be able to bare your soul to people you've never met in a way that can make them understand so clearly what you mean. That's what I love most about singing ... it becomes my truest form of communication.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I'm trying to pull out of the ground that doesn't want to come out? I know I'll win.
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