Anything is of course inexhaustible, because at each moment the brain has a different pattern to construct.
Just listening carefully to what the musicians are really doing, putting the music in the right time... I became aware of the degree to which time, a… - Guido Molinari
Just listening carefully to what the musicians are really doing, putting the music in the right time... I became aware of the degree to which time, a…
- Guido Molinari
In a way, the blank canvas... represents the infinity of trying to use color to express emotions - to assign a linguistic function to color. - Guido Molinari
In a way, the blank canvas... represents the infinity of trying to use color to express emotions - to assign a linguistic function to color.
You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage wi… - Guido Molinari
You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage wi…
It's impossible to just localize your perceptions - because the stimuli come from both eyes. - Guido Molinari
It's impossible to just localize your perceptions - because the stimuli come from both eyes.
Seeing is looking at something in saturation. But we tend to look at something for, say, 1/30 of a second. - Guido Molinari
Seeing is looking at something in saturation. But we tend to look at something for, say, 1/30 of a second.
My work is not repetition. It is an exploration. - Guido Molinari
My work is not repetition. It is an exploration.
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a ne… - Guido Molinari
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a ne…
The question of painting is bound up with epistemology, with the engagement of the viewer, with what the viewer may learn. - Guido Molinari
The question of painting is bound up with epistemology, with the engagement of the viewer, with what the viewer may learn.
I'm interested in the movement of the eyes across the painting. - Guido Molinari
I'm interested in the movement of the eyes across the painting.
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