Anytime you see white men suppose to fight each other an you not white, well you know you got trouble, because they blah-blah loud about Democrat or Republican an they huffing an puff about democracy someplace else but relentless, see, the deal come down evil on somebody don have no shirt an tie, somebody don live in no whiteman house no whiteman country.
Interpretation
The quote reflects on social injustice and the underlying issues of race and class in political conflicts.
June Jordan articulates a critical observation about the political and social dynamics that often sideline marginalized groups. She points out that while those in power may loudly debate ideologies like democracy, the real consequences of their conflicts disproportionately affect the underprivileged, particularly those who do not belong to the dominant racial or economic group. Jordan's words urge us to recognize the systemic inequalities that persist in society, highlighting the need for awareness and action against injustice.
In practice
During a speech on social justice, highlighting the implications of race in political discourse.
I am a feminist, and what that means to me is much the same as the meaning of the fact that I am Black: it means that I must undertake to love myself and to respect myself as though my very life depends upon self-love and self-respect.
In America, the traditional routes to black identity have hardly been normal. Suicide (disappearance by imitation, or willed extinction), violence (hysterical religiosity, crime, armed revolt), and exemplary moral courage; none of these is normal.
Good poetry and successful revolution change our lives. And you cannot compose a good poem or wage a revolution without changing consciousness unless you attack the language that you share with your enemies and invent a language that you share with your allies.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.
I am the history of the rejection of who I am
We need everybody and all that we are. We need to know and make known the complete, constantly unfolding, complicated heritage that is our black experience. We should absolutely resist the superstar, one at a time mentality that threatens the varied and resilient, flexible wealth of our Black future.
For nothing so much disturbs the mind, though it be done for some beneficial purpose, as to innovate and introduce strange things, and most of all when this is done in matters relating to divine worship and the glory of God.
For," I said, "a murdered man or woman dies not in God's time, but in Man's. He... or she... is cut short before he... or she... can atone for sin, and so all errors must be forgiven. When you think of it that way, all murderers are a gateway for heaven.
How dismal it is to see present day Americans yearning for the very orthodoxy that their country was founded to escape.
They miss the whisper that runs any day in your mind, "Who are you really, wanderer?"-- and the answer you have to give no matter how dark and cold the world around you is: "Maybe I'm a king.
Dollars damn me; and the malicious Devil is forever grinning in upon me, holding the door ajar. ... What I feel most moved to write, that is banned - it will not pay. Yet, altogether, write the other way I cannot. So the product is a final hash, and all my books are botches.
I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?
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