There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
Interpretation
This quote suggests that horror and macabre themes appeal to a select audience who can detach from the ordinary and engage their imagination.
H. P. Lovecraft's quote reflects on the niche appreciation for the macabre and how it requires readers to stretch their imagination and step away from reality. It implies that not everyone possesses the ability or desire to engage with such themes, indicating that the allure of horror literature is limited to those who are willing to entertain darker, fantastical concepts.
In practice
In a discussion about the significance of surrealism in modern literature, this quote can emphasize the importance of imaginative engagement.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
The sun had, in the meanwhile, sunk behind the Ettersberg. We felt in the wood the chill of the evening, and drove all the quicker to Wiemar, and to Goethe's house. Goethe urged me to go in with him for a while, and I did so. He was in an extremely engaging mood. He talked a great deal about his theory of colors, and of his obstinate opponents; remarking that he was sure that he had done something in this science.
I can't be alone among fiction writers in regarding the world, so much weirder than anything we could make up, as beating us at our own game or in racking my brains over what could possibly constitute a contribution when novels pale before the newspaper.
Jazz is a very democratic musical form. It comes out of a communal experience. We take our respective instruments and collectively create a thing of beauty.
The best thing commercially, which is the worst artistically, by and large, is the most successful.
A writer of fiction is really... a congenital liar who invents from his own knowledge or that of other men.
Subscribe for the occasional hand-picked quote. No noise.