To build means to make architecture real on the borders of knowledge.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
Interpretation
What this quote means
The quote emphasizes the importance of thinking spatially and three-dimensionally in architectural design.
Frei Otto's quote reflects on the evolution of architectural thinking from traditional drawing methods to modern digital approaches. He advocates for a three-dimensional perspective in design, suggesting that architects should envision their creations as fully formed objects in space, rather than merely two-dimensional representations. This mindset encourages a deeper understanding of form and function in architecture, reminding us that our environment is inherently three-dimensional.
Themes
In practice
Example use cases
This quote can be used in a speech about architectural innovation during a design conference.
More from Frei Otto
All quotes →My architectural drive was to design new types of buildings to help poor people, especially following natural disasters and catastrophes... I will use whatever time is left to me to keep doing what I have been doing, which is to help humanity.
Why should we build very large spaces when they are not necessary? We can design halls spanning several kilometres and covering a whole city, but we have to ask, what does it really make? What does society really need?
Buildings are 'humane' only when they promote peaceful human co-existence.
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I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
Just give a drum roll, announce my name & I come out & sing. I have a contract that says I'm a singer. So I sing.
Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential.