It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
Architects mostly work for privileged people, people who have money and power. Power and money are invisible, so people hire us to visualize their power and money by making monumental architecture. I love to make monuments, too, but I thought perhaps we can use our experience and knowledge more for the general public, even for those who have lost their houses in natural disasters.
Interpretation
What this quote means
This quote emphasizes the role of architects in representing power and wealth through monumental buildings, while also advocating for design that benefits the general public.
Shigeru Ban's quote reflects on the architectural profession's historical ties to wealth and power, as many architects primarily serve affluent clients. However, Ban expresses a desire to use his skills and knowledge to create structures that serve the wider community, particularly those affected by misfortune such as natural disasters. This perspective highlights the potential for architecture to not only symbolize social status but also to provide solace and functionality to those in need.
Themes
In practice
Example use cases
In a speech about sustainable architecture, one might quote Ban to emphasize the responsibility of architects to serve all, not just the wealthy.
Similar quotes
Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.
We shape our buildings; thereafter they shape us.
My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
If architecture is going to nudge, cajole, and inspire a community to challenge the status quo into making responsible changes, it will take the subversive leadership of academics and practitioners who keep reminding students of the profession’s responsibilities.