In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
Interpretation
What this quote means
Camille Paglia argues that nature's processes prioritize survival of the fittest, but humans have the right to challenge these harsh realities.
In this quote, Camille Paglia presents a provocative view of nature as an indifferent force that ruthlessly controls the survival of species through a brutal process that sacrifices many for the benefit of a few. She calls for humans, endowed with rational thought and moral agency, to challenge the inherent cruelty of nature and assert their right to oppose its unyielding laws, suggesting that our obligation is to rise above nature's oppressive tendencies.
Themes
In practice
Example use cases
In a debate about environmental ethics, this quote could illustrate the moral responsibilities humans have beyond nature's design.
More from Camille Paglia
All quotes →Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.
Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egotism and orderliness. It is the asocial equivalent of philosophy, mathematics, and music. There is no female Mozart because there is no female Jack the Ripper.
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
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Zoo animals are ambassadors for their cousins in the wild.
It's easy for people in an air-conditioned room to continue with the policies of destruction of Mother Earth. We need instead to put ourselves in the shoes of families in Bolivia and worldwide that lack water and food and suffer misery and hunger.
The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and the micro.
We're adding a billion people every decade. We're just spin doctors. Whatever we do is supposedly great, and yet it's always at the expense of diversity and nature. We're like elephants. The ecology of the elephant is more similar to human than any other.
The very uprightness of the pines and maples asserts the ancient rectitude and vigor of nature. Our lives need the relief of such a background, where the pine flourishes and the jay still screams.
Do you know how much land is under ice, rock and snow? Do you know why 90 percent of us live within 100 kilometres of the U.S. border? We have this idea we're a vast country. But the reality is that a lot of it, a huge amount, is uninhabitable.