As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
All furnished, all in arms;_x000D_ _x000D_ All plum'd like estridges that with the wind_x000D_ _x000D_ Bated like eagles having lately bathed;_x000D_ _x000D_ Glittering in golden coats like images;_x000D_ _x000D_ As full of spirit as the month of May_x000D_ _x000D_ And gorgeous as the sun at midsummer;_x000D_ _x000D_ Wanton as youthful goats, wild as young bulls.
Interpretation
This quote describes the vibrancy and vitality of youth and nature, comparing it to various energetic images.
In this quote, Shakespeare employs vivid imagery to highlight the exuberance and liveliness characteristic of youth and the beauty of nature. He uses various similes, drawing comparisons to eagles, young goats, and the splendor of summer, illustrating the boundless energy and passion of life, especially in its early stages. The reference to animals and natural elements underscores a theme of vitality that resonates deeply in the human experience.
In practice
This quote can be used in a speech about the importance of embracing youth and vitality.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
True art is creation, and creation is beyond all theories. That is why I say to any beginner: Learn your theories as well as you can, but put them aside when you touch the miracle of the living soul. Not theories but your own creative individuality alone must decide.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this 'obliteration.'
For me, writing stories is one way of feeling connected to the universe and God.
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