As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
All furnished, all in arms;_x000D_ _x000D_ All plum'd like estridges that with the wind_x000D_ _x000D_ Bated like eagles having lately bathed;_x000D_ _x000D_ Glittering in golden coats like images;_x000D_ _x000D_ As full of spirit as the month of May_x000D_ _x000D_ And gorgeous as the sun at midsummer;_x000D_ _x000D_ Wanton as youthful goats, wild as young bulls.
Interpretation
This quote describes the vibrancy and vitality of youth and nature, comparing it to various energetic images.
In this quote, Shakespeare employs vivid imagery to highlight the exuberance and liveliness characteristic of youth and the beauty of nature. He uses various similes, drawing comparisons to eagles, young goats, and the splendor of summer, illustrating the boundless energy and passion of life, especially in its early stages. The reference to animals and natural elements underscores a theme of vitality that resonates deeply in the human experience.
In practice
This quote can be used in a speech about the importance of embracing youth and vitality.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I don't design. I get what I think is a big idea, and I put the idea down. I'm not a designer. I'm a communicator.
This idea that a book can either be about character and feeling, or about politics and idea, is just a false binary. Ideas are an expression of the feelings and the intense emotions we hold about the world.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
But when I went on the stage to do a show, I would put on makeup because I felt that it enhanced my act; it drew attention to what I was doing.
Films and hotels have many aspects that are the same. For example, there is always a big vision, an idea.
The ballet world is so competitive, and for no reason. It's not a sport. It's an art. There's no winner.
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