I know I was born and I know that I'll die... _x000D_ The in between is mine._x000D_ I Am Mine
Eddie VedderRead
I was around nine when a babysitter snuck 'Who's Next' onto the turntable. The parents were gone. The windows shook. The shelves were rattling. Rock & roll. That began an exploration into music that had soul, rebellion, aggression, affection.
Interpretation
This quote reflects the powerful and transformative impact music can have on a young person's life, sparking a passion for different genres.
Eddie Vedder's quote captures a vivid memory from his childhood when he discovered the electrifying world of rock music. The experience of listening to 'Who's Next' was not just auditory, but a profound awakening that led him into an exploration of music filled with deep emotions such as soul, rebellion, aggression, and affection. It signifies how music can influence and inspire one's identity and experiences from a young age.
In practice
During a speech about the influence of music in developing identity.
I know I was born and I know that I'll die... _x000D_ The in between is mine._x000D_ I Am Mine
Things like guitars and ukuleles, you should never part with it, because there will probably be good, healthy times spent, just playing and writing.
Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
I think music is the greatest art form that exists, and I think people listen to music for different reasons, and it serves different purposes. Some of it is background music, and some of it is things that might affect a person's day, if not their life, or change an attitude. The best songs are the ones that make you feel something.
I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
The majority of juice-heads and winos and junkies arent musicians.
I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.
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