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Art, especially the stage, is an area where it is impossible to walk without stumbling.
Anton Chekhov
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Interpretation

What this quote means

Art, particularly in performance, is inherently filled with challenges and mistakes.

This quote by Anton Chekhov emphasizes the unpredictable nature of art and performance. It suggests that stumbling, or making mistakes, is a natural part of the artistic process, particularly on stage, where the dynamic environment can lead to unexpected challenges. Chekhov highlights that such experiences are essential for growth and creativity in the arts.

Themes

ArtStagePerformanceMistakesCreativity

In practice

Example use cases

During a theater workshop, I reminded the actors that Chekhov said, 'Art, especially the stage, is an area where it is impossible to walk without stumbling.'

More from Anton Chekhov

If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
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There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
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Any idiot can face a crisis - it's day to day living that wears you out.
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To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
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When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
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Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
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