Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
What art seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine.
Interpretation
What this quote means
Art challenges conventional norms and resists the mundane.
In this quote, Oscar Wilde emphasizes the role of art as a liberating force that disrupts the repetitive and mechanical aspects of life. He suggests that art has the power to challenge societal norms, customs, and routines that confine human creativity, encouraging individuals to rise above a monotonous existence and embrace their true potential.
Themes
ArtCreativityFreedomIndividualityHabit
In practice
Example use cases
This quote can be used in a speech about the importance of creativity in education.
More from Oscar Wilde
All quotes βLondon is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
Oscar WildeRead
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Oscar WildeRead
Men always want to be a woman's first love - women like to be a man's last romance.
Oscar WildeRead
A truth ceases to be true when more than one person believes in it.
Oscar WildeRead
His morality is all sympathy, just what morality should be
Oscar WildeRead
Similar quotes
Being Poet Laureate made me realize I was capable of a larger voice. There is a more public utterance I can make as a poet.
Rita DoveRead
A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Ernest HemingwayRead
There's blood, a taste I remember. It tastes of orange popsicles, penny gumballs, red licorice, gnawed hair, dirty ice.
Margaret AtwoodRead
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
Stephen SondheimRead
No art is sunk in the self, but rather, in art the self becomes self-forgetful in order to meet the demands of the thing seen and the thing being made.
Flannery O'ConnorRead
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
Robert SchumannRead