Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred StieglitzRead
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
Interpretation
The quote emphasizes the importance of personal, authentic experiences in creating art over professional definitions of art.
Alfred Stieglitz suggests that true art is not defined by professional standards or the art world but arises from an individual's profound inner experiences. The value of art lies in its authenticity and the emotional investment of the creator, which can lead to its recognition as art over time.
In practice
In a speech about creativity, one might quote this to emphasize the value of personal experience in artistic endeavors.
Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
In photography there is a reality so subtle that it becomes more real than reality.
The fight for photography became my life.
A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.
You have to have an idea of what you are going to do, but it should be a vague idea.
There seems a magic in the very name of Christmas.
Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.
The stories that unfold in the space of a writer's study, the objects chosen to watch over a desk, the books selected to sit on the shelves, all weave a web of echoes and reflections of meanings and affections, that lend a visitor the illusion that something of the owner of this space lives on between these walls, even if the owner is no more.
Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually.
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