I'm thirty-six years old. I'm just getting started!
Marilyn MonroeRead
I want to be an artist, an actress with integrity, and that includes all kinds of parts.
Interpretation
Marilyn Monroe expresses her desire to embody integrity in her artistic roles without limitation.
In this quote, Marilyn Monroe emphasizes her aspiration to be a multifaceted artist who approaches her roles with integrity. She highlights the importance of staying true to oneself while embracing a diverse range of characters, suggesting that authenticity is essential in creative expression.
In practice
This quote can inspire students in a drama class to approach their performances with authenticity and commitment.
I'm thirty-six years old. I'm just getting started!
I'm pretty, but not beautiful. _x000D_ I sin, but I'm not the devil. _x000D_ I'm good, but I'm not an angel.
My public is growing up just as I am. After all, I'm not 19 anymore and if I stick with the sex bit, who will be paying to see me when I'm 50?
A wise girl kisses but doesn't love, listens but doesn't believe, and leaves before she is left.
Beneath the makeup and behind the smile I am just a girl who wishes for the world.
You believe lies so you eventually learn to trust no one but yourself.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Sometimes, when the material is really good, you put expectations on yourself to make it the best possible show. You're not just serving up the regular hash and doing your job and going home.
True ornament is not a matter of prettifying externals. It is organic with the structure it adorns, whether a person, a building, or a park. At its best it is an emphasis of structure, a realization in graceful terms of the nature of that which is ornamented
Poetry is a vocation. It is not a career but a calling.
I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.
Poetry is not truth, it is the resurrection of presences.
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