Paint the flying spirit of the bird rather than its feathers.
Robert HenriRead
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.
Interpretation
The quote emphasizes the innate creativity and individuality found in every person who embraces their artistic side.
Robert Henri's quote suggests that the presence of an artistic spirit within an individual fosters qualities such as inventiveness, exploration, and bold self-expression. It implies that art is not limited to traditional forms but is inherent in every person's work and approach to life, encouraging everyone to tap into their creative potential.
In practice
In a motivational speech about creativity in the workplace.
Paint the flying spirit of the bird rather than its feathers.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
You form a society: that limits you. Adopt a name, and you've limited yourself again; draw up a constitution and bylaws and you've made a groove, a rut, that hampers your growth. You think you can fix your course and move straight along it. But sometimes the important thing is to strike out sidewise.
After all, the goal is not making art. It is living a life. Those who live their lives will leave the stuff that is really art.
Do not let the fact that things are not made for you, that conditions are not as they should be stop you. Go on anyway. Everything depends on those who go on anyway.
It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.
The thing that was important to me about Hemingway at the time was that Hemingway taught me that you could be a writer and get away with it.
I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.
The reason you do this stuff - comedy, plays, movies - is to be seized by something, to disappear in the service of an idea.
The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him--a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured--captured by some experience to which one may have given hardly a thought.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
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