The artist doesn't really think about consequences - he or she does the work, stands back and looks at and thinks, 'Hmm, that could have worked better like this.' But as a person who needs to sell tickets to do the next work, one needs to analyze how it does or does not hit its mark.
Interpretation
Artists create without overthinking the consequences, but must later evaluate their work's reception for practical reasons.
This quote by Twyla Tharp discusses the dichotomy between the creative process of an artist and the commercial aspects of their work. It highlights how artists often engage in their craft instinctively and expressively, without being preoccupied with how the audience might perceive it. However, in order to sustain their careers and continue producing art, they must also critically assess their work's effectiveness and marketability. This balance between pure creativity and the necessity for commercial success is a challenge that many artists face.
In practice
In an art class, discussing the importance of balancing creativity with the commercial aspect of art.
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
I am still pushing the edge of what my body can do.
No one is born with skill. It is developed through exercise, through repetition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time.
Without passion, all the skill in the world won't lift you above craft. Without skill, all the passion in the world will leave you eager but floundering. Combining the two is the essence of the creative life.
I grew up in a drive-in theater, from the time I was 8, working in a snack bar watching four features every week. It was silent theater in the sense that this was a drive-in, which meant that I often saw the films going with no sound. But I learned to tell stories through action.
Without passion, all the skill in the world won't lift you above craft.
The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.
Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more. Like icy adolescents, such poetry is more interested in commiserating than acknowledging that feelings — the sentiments that make us susceptible to sentimentality — actually exist.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.
Art is too serious to be taken seriously.
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