Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
An artist must approach his work in the spirit of the criminal about to commit a crime.
Interpretation
What this quote means
An artist should immerse themselves in their creative process with intensity and passion, similar to how a criminal is deeply focused before committing a crime.
This quote by Edgar Degas suggests that to create art, one must adopt a mindset that is fully engaged and fearless, akin to that of a criminal preparing to undertake a serious act. It implies that art requires a kind of dedication and emotional involvement that can be dramatic and consuming, as artists navigate their creative impulses much like a criminal navigates their intentions, with a singular focus and depth of commitment.
Themes
In practice
Example use cases
This quote can be used during an art workshop to inspire participants to channel their emotions when creating.
More from Edgar Degas
All quotes βNo art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
Everyone has talent at twenty-five. The difficulty is to have it at fifty.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
The Dance instills in you something that sets you apart. Something heroic and remote.
You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
Similar quotes
Poetry is music, and nothing but music. Words with musical emphasis.
I hate to say this, but I always listen to the music and the instrumentation first, and then grab on to the lyrics later.
For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own.
Selling beauty is something I can understand. Even selling false beauty seems perfectly natural; it's a sign of progress.
Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance.
The object of art is not to make salable pictures. It is to save yourself.