The body says what words cannot.
Martha GrahamRead
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Interpretation
Artists are never fully satisfied with their work; instead, they find motivation in a continuous desire for improvement.
Martha Graham highlights the perpetual state of dissatisfaction that artists experience, suggesting that such unrest is not only a source of their creativity but also a vital aspect of what makes them feel alive. This 'divine dissatisfaction' propels artists forward, driving them to strive for greatness and explore new expressions in their art.
In practice
In a speech to aspiring artists at a local gallery opening.
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
The body is your instrument in dance, but your art is outside that creature, the body.
There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium, and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open.
What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
Music: what so many sentences aspire to be.
People always say when they meet me that I'm not what they expect. I assume they think I'm this super dark and depressing guy, but I like to channel all of those emotions into my work.
My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.
It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience.
In art, at a certain level, there is no 'better than.' It's just about trying to operate for yourself on the most supreme level, artistically, that you can and hoping that people get it.
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