In the gun game, we are the most hunted. The river of blood that washes the streets of our nation flows mostly from the bodies of our black children.
Harry BelafonteRead
Artists are the gatekeepers of truth. We are civilization’s anchor. We are the compass for humanity’s conscience.
Interpretation
Artists play a crucial role in revealing and preserving truth in society.
In this quote, Harry Belafonte emphasizes the vital role artists play in society as custodians of truth and moral guidance. He portrays artists as not just creators but essential figures who help uphold the values and conscience of humanity, serving as a guiding force for civilization.
In practice
During a speech at an arts festival, I quoted Belafonte to highlight the role of creativity in social justice.
In the gun game, we are the most hunted. The river of blood that washes the streets of our nation flows mostly from the bodies of our black children.
You can cage the singer but not the song.
I've always been supportive of the right of Israel as a state, and I've always fought against anti-Semitism, even in my own community.
Art in its highest form is art that serves and instructs society and human development.
Anti-democracy...is a virus that exists, and pro-democracy is the antibody to that virus, and I think we have to become vigilant, and we have to stay on top of the issues of democracy and freedom.
Children who have lost parents to HIV/AIDS are not only just as deserving of an education as any other children, but they may need that education even more. Being part of a school environment will prepare them for the future, while helping to remove the stigma and discrimination unfortunately associated with AIDS.
I have always believed that art should be a deep pleasure...ther e is always, everywhere, an enormous amount of suffering. But I believe my duty as an artist is to overcome and alleviate the sterility of despair...New ways of seeing mean new ways of feeling... I do believe that painting can change the world.
Out of all the guitars in the whole world, the Fender Mustang is my favorite. They're cheap and totally inefficient, and they sound like crap and are very small.
I try to remember that the job - as well as the plight, and the unexpected joy - of the artist is to embrace uncertainty, to be sharpened and honed by it.
I believe that as a writer and a director, you're only providing the skeleton of a character, and you're hiring actors to fill it out.
A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.
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