Reality is a prison, where one vegetates and always will. All the rest - thought, action - is just a pastime, mental or physical. What counts then, is to come to grips with reality. The rest can go.
Cesare PaveseRead
Artists are the monks of the bourgeois state.
Interpretation
Artists serve a vital and contemplative role in society, often reflecting and critiquing the values of their time.
In this quote, Cesare Pavese likens artists to monks, suggesting that they are dedicated to a higher calling that transcends the mundane concerns of the bourgeois, or middle-class, society in which they operate. This implies that artists, through their creations, engage deeply with the human experience and societal issues, often isolating themselves from mainstream culture to pursue a profound understanding and expression of existence.
In practice
This quote could be used in an art class to discuss the role of artists in society.
Reality is a prison, where one vegetates and always will. All the rest - thought, action - is just a pastime, mental or physical. What counts then, is to come to grips with reality. The rest can go.
Waiting is still an occupation. It is having nothing to wait for that is terrible.
Dawn's faint breath breathes with your mouth at the ends of empty streets. Gray light your eyes, sweet drops of dawn on dark hills. Your steps and breath like the wind of dawn smother houses. The city shudders, Stones exhale— you are life, an awakening. Star lost in the light of dawn, trill of the breeze, warmth, breath— the night is done. You are light and morning.
There is mercy for everyone, except those who are bored with life.
One does not kill oneself for love of a woman, but because love - any love - reveals us in our nakedness, our misery, our vulnerability, our nothingness.
The cadence of suffering has begun. Every evening at dusk, my heart constricts until night has come.
I've yet to meet somebody who said, 'Your stories are so revolting I couldn't read them.'
You have to distinguish between things that seemed odd when they were new but are now quite familiar, such as Ibsen and Wagner, and things that seemed crazy when they were new and seem crazy now, like 'Finnegans Wake' and Picasso.
Being a memory play, it is dimly lighted, it is sentimental. It is not realistic.
This industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child. Like you don't dare get a cold. How dare you get a cold! I mean, the executives can get colds and stay home forever and phone it in, but how dare you, the actor, get a cold or a virus. You know, no one feels worse than the one who's sick. I sometimes wish, gee, I wish they had to act a comedy with a temperature and a virus infection.
Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
The way to see what looks good and understand the reasons it looks good, and to be at one with this goodness as the work proceeds, is to cultivate an inner quietness, a peace of mind so that goodness can shine through.
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