In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.
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When truth cannot make itself known in words, it will make itself known in deeds.
A philosopher who says, 'There are no truths, only interpretations,' risks the retort: 'Is that true, or only an interpretation?'
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend. If there are people who are indifferent to beauty, then it is surely because they do not perceive it.
In argument about moral problems, relativism is the first refuge of the scoundrel.
Through the pursuit of beauty we shape the world as a home, and in doing so we both amplify our joys and find consolation for our sorrows.
The pageant of a former hour, Is Beauty in the Grave.
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