Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
When the audience comes in, it changes the temperature of what you've written.
Interpretation
The presence of an audience influences the performance and interpretation of a piece of art.
This quote by Stephen Sondheim highlights the dynamic relationship between a creator and their audience. It suggests that the emotions and energy of the audience can transform a written piece into something more vibrant and alive, impacting the overall experience for both the performer and the spectators.
In practice
This quote can be used during a theater workshop to explain the importance of audience engagement.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
β¦I go through a story for lies. I might discover the lie of trying to show off. Sometimes theyβre lies of character. Sometimes they are lies of writing the most beautiful sentence in the world that has nothing to do with the story.
Writing, real writing, should leave a small sweet bruise somewhere on the writer . . . and on the reader.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'
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