Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
Robertson DaviesRead
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
Interpretation
This quote compares writing to a spider's web-making, emphasizing that an author's work is deeply personal and intrinsic.
Robertson Davies' quote suggests that the essence of an author's writing is derived from their inner self, much like a spider produces silk from its own body to build a web. Asking whether a piece of writing is autobiographical overlooks the profound connection between the author's life experiences and the creative process, indicating that all literature is inherently reflective of the writer's inner workings.
In practice
During a writers' workshop, to encourage participants to tap into their personal experiences.
Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
Pessimism is a very easy way out because it is a short view of life. If you look at what is happening around us today, you can't help but feel that life is a terrible complexity of problems. But if you look back a few thousand years, you realize that we have advanced fantastically. If you take a long view, I do not see how you can be pessimistic about the future of mankind.
This is one of the cruelties of the theatre of life; we all think of ourselves as stars and rarely recognize it when we are indeed mere supporting characters or even supernumeraries.
Everything matters. The Universe is approximately fifteen billion years old, and I swear that in all that time, nothing has ever happened that has not mattered, has not contributed in some way to the totality.
The egotist is all surface; underneath is a pulpy mess and a lot of self-doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core he is remorseless.
The world is full of people whose notion of a satisfactory future is, in fact, a return to the idealized past.
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something human.
I write as if to save somebody’s life. Probably my own. Life is a kind of madness that death makes. Long live the dead because we live in them.
I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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