I've seen attack ships on fire on the shoulder of Orion, I've seen moon beams glisten at the Ten hauser gate, all those memories, lost like tears in the rain.
Rutger HauerRead
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
Interpretation
The quote expresses a desire for authenticity in performance, prioritizing story over ego.
Rutger Hauer emphasizes the importance of immersing oneself in a narrative rather than showcasing the performer's personal ego. He believes that acting should be a vessel for storytelling, where the audience is captivated by the story itself instead of being distracted by the actor's individual presence or style. This reflects a deeper artistic philosophy about the role of an actor in film and theater.
In practice
This quote can be used during a theater workshop to encourage actors to prioritize their character over their personal performance.
I've seen attack ships on fire on the shoulder of Orion, I've seen moon beams glisten at the Ten hauser gate, all those memories, lost like tears in the rain.
I've seen things you people wouldn't believe.
Most of the real bad guys in the world are people like you and me; they're not stupid, and you can't smell their horns.
Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
A day in which I don't write leaves a taste of ashes.
I alter some things, eliminate and try again until I am satisfied. Then begins the mental working out of this material in its breadth, its narrowness, its height and depth.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
Poets are never allowed to be mediocre by the gods, by men or by publishers.
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