I want to photograph the considerable ceremonies of our present. I want to gather them, like somebody's grandmother putting up preserves, because they will have been so beautiful.
Diane ArbusRead
I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.
Interpretation
The quote reflects the idea of authenticity and self-acceptance in the creative process.
Diane Arbus emphasizes the importance of embracing one's own feelings of awkwardness rather than trying to impose order or arrangement on the external world. This suggests that true creativity comes from a place of self-awareness and the acceptance of our uncomfortable truths, allowing the artist to reflect their genuine perspective in their work.
In practice
During a public lecture on creative processes, one could quote this to illustrate the importance of authenticity in art.
I want to photograph the considerable ceremonies of our present. I want to gather them, like somebody's grandmother putting up preserves, because they will have been so beautiful.
I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where Iβve never been.
... I must begin at whatever pace is possible, to work on the book of my own that i vaguely keep assuming lies at the end of the rainbow. It is after all my rainbow and if I don't do it no one else will...Survival is the secret so you really can't afford to doubt yourself for long because you are all you've got. The only thing to do is to go the limit with it. Exceed.
Freaks was a thing I photographed a lot. It was one of the first things I photographed, and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
Novelists embody plural selves all the time. What are characters, after all, if not other selves?
I write plays and poetry at the same time, and I'm always refining, but I'm not obsessive about it. It's what I like to do, what I've always wanted to do.
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
The rules I sort of live by for my theater career, which I hope to live for my film career, is that if there's something that intrigues me or fascinates me, or I don't know how to do it, then I should do it.
The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
I absolutely adore and idolise women. All women. I think they are all amazing. The female musicians I've met have been far more inspiring than the male ones. Women tend to be much more creative and ambitious. I think I may have been a woman in a past life.
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