I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep... Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
Interpretation
The quote expresses unrequited love and the longing for closeness that is unattainable due to circumstances.
In this quote, John Green captures the essence of unfulfilled desire and the pain of loving someone who is out of reach. The narrator reflects on their feelings of inadequacy compared to the person they admire, highlighting the stark contrast between their own self-perception and the allure of the other person. The metaphor of rain eloquently illustrates the intensity of emotions, whereby the narrator feels trivial in comparison to the vibrant and captivating presence of the one they long to be close to.
In practice
Using this quote in a discussion about the complexities of unrequited love in a literature class.
Always' was a promise! How can you just break the promise?" "Sometimes people don't always understand the promises they're making when they make them," I said. Isaac shot me a look. "Right, of course. But you keep the promise anyway. That's what love is. Love is keeping the promise anyway. Don't you believe in true love?" I didn't answer. I didn't have an answer. But I thought that if true love did exist, that was a pretty good definition of it.
Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should.
I find it really offensive when people say that the emotional experiences of teenagers are less real or less important than those of adults. I am an adult, and I used to be a teenager, and so I can tell you with some authority that my feelings then were as real as my feelings are now.
I don't think pandemics make us afraid of death, I think they make us afraid of oblivion. They force us to grapple with the futility of effort. Also they make us barf which isn't fun either... Wash your hands, cover your coughs, and find a way to hold in balance the futility of effort with the necessity to struggle.
So often we try to make other people feel better by minimizing their pain, by telling them that it will get better (which it will) or that there are worse things in the world (which there are). But that's not what I actually needed. What I actually needed was for someone to tell me that it hurt because it mattered. I have found this very useful to think about over the years, and I find that it is a lot easier and more bearable to be sad when you aren't constantly berating yourself for being sad.
We kiss. Her hands are freezing on my face, and she tastes like coffee and the smell of the onion is still stuck in my nose, and my lips are all dry from the endless winter. And it's awesome.
The first and highest law must be the love of man to man. Homo homini Deus est - this is the supreme practical maxim, this is the turning point of the world's History.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
I fell in love, not deep, but I fell several times and then fell out.
I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.
The greatest science in the world; in heaven and on earth; is love.
Judgement is the forbidden objectivization of the other person which destroys single-minded love. I am not forbidden to have my own thoughts about the other person, to realize his shortcomings, but only to the extent that it offers to me an occasion for forgiveness and unconditional love, as Jesus proves to me.
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